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Was bedeutet es heute, Geschmack und kulturellen Dialog in einem so vielschichtigen und einflussreichen kreativen Umfeld zu prägen?",[],"ST",{"_key":315,"color":286,"cta":316,"media":317,"text":325,"title":334},"8cb2df82c845",{"title":288,"type":222},{"_key":221,"alt":221,"crop":318,"dimensions":319,"hotspot":320,"image":323,"originalFilename":324,"type":303},{"_type":291,"bottom":292,"left":292,"right":292,"top":292},{"_type":240,"aspectRatio":250,"height":294,"width":295},{"_type":297,"height":321,"width":8,"x":299,"y":322},0.4074558823529408,0.32860294117647065,"image-8178c5da5557f7811bb7485a031cb2e0c7b100fd-4480x6720-jpg","SB2_9322.jpg",[326],{"_key":327,"_type":62,"children":328,"markDefs":333,"style":70},"5480a94a116a",[329],{"_key":330,"_type":66,"marks":331,"text":332},"ea84cf7410f6",[],"Geschmack in Mailand zu prägen bedeutet heute, innerhalb eines Systems zu arbeiten, das bereits vollständig ausgeformt ist und sich dennoch ständig verändert. Es ist eine Stadt, in der Geschichte und Unmittelbarkeit koexistieren und in der jeder Eingriff Teil eines fortlaufenden Dialogs wird, anstatt eine Definition zu setzen. Meine Rolle ist weniger Richtungsvorgabe als Kalibrierung: spüren, was entsteht, und es durch Auswahl übersetzen. Mailand verlangt Immersion und ein kontinuierliches Bewusstsein dafür, wie Erbe, Experiment und materielle Kultur gemeinsam evolvieren.",[],"Nina Yashar",{"_key":336,"color":286,"cta":337,"media":338,"text":342,"title":313},"2765b9c52e55",{"title":288,"type":222},{"_key":221,"alt":221,"crop":221,"dimensions":339,"hotspot":221,"image":340,"originalFilename":341,"type":303},{"_type":240,"aspectRatio":250,"height":294,"width":295},"image-caa7b49dbc1925d518b510a6eeac6fb20edf1ff4-4480x6720-jpg","SB2_9279-2.jpg",[343],{"_key":344,"_type":62,"children":345,"markDefs":350,"style":70},"a98ec1b011a6",[346],{"_key":347,"_type":66,"marks":348,"text":349},"430a3841f780",[],"Nilufar hat Collectible Design, zeitgenössisches Experiment und Handwerk stets mit bemerkenswerter Präzision in Balance gehalten. Wie definieren Sie persönlich heute die Beziehung zwischen Handwerk, Materialität und zeitgenössischem Design?",[],{"_key":352,"color":286,"cta":353,"media":354,"text":361,"title":334},"9e144f39c944",{"title":288,"type":222},{"_key":221,"alt":221,"crop":221,"dimensions":355,"hotspot":221,"image":359,"originalFilename":360,"type":303},{"_type":240,"aspectRatio":356,"height":357,"width":358},1.5,4458,6687,"image-fb32f77d3bfbad251386e5618d9e552962ee1c6b-6687x4458-jpg","SB2_9194-2.jpg",[362],{"_key":363,"_type":62,"children":364,"markDefs":369,"style":70},"f82f435792e8",[365],{"_key":366,"_type":66,"marks":367,"text":368},"49c156eb6eea",[],"Handwerk, Materialität und zeitgenössisches Design sind keine getrennten Felder, sondern ein einziges Kontinuum. Was mich interessiert, ist der Moment, in dem Material nicht aufgetragen, sondern freigelegt wird, und wenn das Machen selbst zu einer Form des Denkens wird. Die Erkenntnis ist fast immer instinktiv: ein Gefühl der Übereinstimmung zwischen Geste und Notwendigkeit. Bei Nilufar ist Handwerk keine Referenz, sondern eine Struktur, die es dem Experiment erlaubt, geerdet und präzise zu bleiben.",[],{"_key":371,"color":286,"cta":372,"media":373,"text":377,"title":313},"6c71cf7802ea",{"title":288,"type":222},{"_key":221,"alt":221,"crop":221,"dimensions":374,"hotspot":221,"image":375,"originalFilename":376,"type":303},{"_type":240,"aspectRatio":250,"height":294,"width":295},"image-840b8aeff3212ac26077d7ca1bfd38de0da47fbd-4480x6720-jpg","SB2_9297.jpg",[378],{"_key":379,"_type":62,"children":380,"markDefs":385,"style":70},"4da05cc1b523",[381],{"_key":382,"_type":66,"marks":383,"text":384},"54b69ac2e751",[],"Ihr Gespür für außergewöhnliche Stücke ist Teil der Identität von Nilufar geworden. Was zieht Sie zu einem Objekt hin, und gibt es ein bestimmtes Stück in Ihrer Sammlung, das eine besondere Bedeutung für Sie hat?",[],{"_key":387,"color":286,"cta":388,"media":389,"text":393,"title":334},"b9b709592444",{"title":288,"type":222},{"_key":221,"alt":221,"crop":221,"dimensions":390,"hotspot":221,"image":391,"originalFilename":392,"type":303},{"_type":240,"aspectRatio":250,"height":294,"width":295},"image-14348b379aae1676fd2eb1c414c651f4a1fecefd-4480x6720-jpg","SB2_9442.jpg",[394],{"_key":395,"_type":62,"children":396,"markDefs":401,"style":70},"d314b7e3f8b1",[397],{"_key":398,"_type":66,"marks":399,"text":400},"da873f09152f",[],"Ich fühle mich zu Objekten hingezogen, die sich nicht sofort auflösen, die eine stille innere Spannung halten. Was zählt, ist die Kohärenz zwischen Idee, Herstellung und Präsenz. Die bedeutendsten Arbeiten sind jene, die die Sprache der Sammlung allmählich verschieben, anstatt sie zu definieren. Es ist selten ein einzelnes Objekt, sondern Momente der Erkenntnis, die die Perspektive verändern.",[],{"_key":403,"color":286,"cta":404,"media":405,"text":409,"title":313},"7457c56668cd",{"title":288,"type":222},{"_key":221,"alt":221,"crop":221,"dimensions":406,"hotspot":221,"image":407,"originalFilename":408,"type":303},{"_type":240,"aspectRatio":250,"height":251,"width":252},"image-2790e9625154464019eaf90745e5df748c32e67d-4386x6579-jpg","SB2_9145-2.jpg",[410],{"_key":411,"_type":62,"children":412,"markDefs":417,"style":70},"e29f1c58b741",[413],{"_key":414,"_type":66,"marks":415,"text":416},"85d1f24edad0",[],"Nilufar wird nun in einer temporären Ausstellung im Showroom von Stephanie Thatenhorst in München präsentiert. Was hat Sie an diesem intimen, eher wohnlichen Format interessiert, und wie sehen Sie den Dialog zwischen dem kuratorischen Universum von Nilufar und der Atmosphäre des Raums?",[],{"_key":419,"color":286,"cta":420,"media":421,"text":431,"title":334},"bd870ca5c08e",{"title":288,"type":222},{"_key":221,"alt":221,"crop":422,"dimensions":423,"hotspot":424,"image":429,"originalFilename":430,"type":303},{"_type":291,"bottom":292,"left":292,"right":292,"top":292},{"_type":240,"aspectRatio":250,"height":294,"width":295},{"_type":297,"height":425,"width":426,"x":427,"y":428},0.39276470588235307,0.9632352941176473,0.5110294117647058,0.32615441176470583,"image-2996542c0bc807d07c05bb87e74fa1051e276185-4480x6720-jpg","SB2_9552.jpg",[432],{"_key":433,"_type":62,"children":434,"markDefs":439,"style":70},"321b0ec649c5",[435],{"_key":436,"_type":66,"marks":437,"text":438},"cdf3a109ed93",[],"Was mich an München interessiert hat, ist die Möglichkeit, Nilufar in einer gelebten Umgebung zu präsentieren, in der Design Teil einer häuslichen Erzählung ist und nicht einer Ausstellung. Der Showroom von Stephanie Thatenhorst fühlte sich wie der ideale Kontext an: bereits geprägt von einer sehr kuratierten und kohärenten Innenraumvision. Die Auswahl aus Nilufar Edition gewinnt in diesem Rahmen eine andere Resonanz, wo Handwerk, Materialforschung und skulpturale Präsenz direkter erfahrbar sind. Es gibt auch einen bestehenden Dialog mit München, der diese Zusammenarbeit selbstverständlich erscheinen lässt, und er stärkt unsere Präsenz in Deutschland weiter. Es ist eine Begegnung zweier kuratorischer Sensibilitäten, die dieselbe Aufmerksamkeit für Qualität, Atmosphäre und Detail teilen.",[],"Interview mit Nina Yashar",{"_type":218,"color":219,"cta":442,"text":443},{"title":221,"type":222},[444,453],{"_key":445,"_type":62,"children":446,"markDefs":451,"style":452},"ca795948b1a9",[447],{"_key":448,"_type":66,"marks":449,"text":450},"59f06a4637de",[],"Der Showroom von Stephanie Thatenhorst gibt all dem den richtigen Rahmen. 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